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Heilbrunn Timeline of Art History
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Heilbrunn Timeline of Art History
Double Portrait Presumed to Represent François de Jullienne (1722–1754) and His Wife (Marie Élisabeth de Séré de Rieux, 1724–1795)
Head of the Virgin in Three-Quarter View Facing Right
Study of a Boy in a Blue Jacket
Study of a Girl in Red
Gustavus Hamilton (1710-1746), Second Viscount Boyne, in Masquerade Costume
Prèparation for a Portrait of Louis XV (1710–1774)
Jean Charles Garnier d'Isle (1697–1755)
Olivier Journu (1724–1764)
Ebenezer Storer II
The Two Sisters
Portrait of a Woman, Her Head Turned to the Right, Wearing an Earring
A Shipwreck in a Storm
William Man Godschall (1720–1802)
Mrs. William Man Godschall (Sarah Godschall, 1730–1795)
Mrs. Robert Shurlock (Henrietta Ann Jane Russell, 1775–1849) and Her Daughter Ann
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Painting and Experience in the Fifteen Century Italy by Michael BaxandallView Full EssayWords: 976Length: 4 PagesDocument Type: EssayPaper #: 65692378
Painting and Experience in Fifteenth Century Italy by Michael axandall. The paper presents the thesis of the book, evidence of the arguments put forward by the author to support his thesis, details of the structure of the book, and a critical analysis of the thesis put forward by axandall.
axandall's book is a classic of art history, which gives both an introduction to fifteenth century Italian painting, and also a discourse on how to interpret social history from the paintings of a particular era. The main thesis of the book is that the style of paintings in any particular era reflects the social life of the time. He argues that life is lent to the paintings by the assimilation of contemporary daily habits and fashions by their creators.
He argues, for example, that Renaissance painting became so vibrant at that time due to the expansion of other branches of the…… [Read More]
Bibliography, incorporating copies of many original documents, allows the reader to continue to follow Baxandall on his exploration of these ideas.
How important is the book for art history? Baxandall's book gives us a new, more involved and complete, way of looking at art. The manner in which Baxandall presents his argument is logical, forceful, and ultimately persuasive. His new method of viewing art lends more depth to the study of art history, and to art appreciation in general. His argument is presented in clear, and stark terms, which leaves the argument difficult to avoid or to refute.
Baxandall has given a gift to us all: that of having empathy with the artist, to truly understand where they are painting from, in terms of their motivation, and how they are painting, in terms of their surroundings, supporters and methodologies. This is an invaluable lesson that Baxandall offers, to be well-heeded by students of art history, and lovers of art, in all its many and varied forms.
Never before has such a thought-provoking book been written on the subject of interpreting paintings, particularly fifteenth century Italian paintings, and one's view of art is changed after reading, digesting, and assimilating, Baxandall's arguments. This book, and its core arguments, are central to a thorough understanding and appreciation of art in general.
Baxandall has done students of art history, and art lovers, a great favor in writing this book. Cultural and historical empathy are the way forward for the analysis of art.